Alan Lomax was a folklorist and collector of American field recordings. Any student of US roots music will know his name: the music and stories he collected in the ’40s and ’50s for the Archive of American Folk Song at the Library of Congress was a driving force for the popularity of blues and folk music in the ’60s.
A collective of musicians from America (and one from Canada) played two concerts on the weekend as part of the Vivid festival that paid homage to the music that Lomax uncovered for us. That show was called Sounds of the South, and I caught the Sunday afternoon show.
The assembled 13 musicians played a set of songs inspired by the Alan Lomax recordings. Almost none were straight covers; they were, instead, rocked-up, jazzed-up, or psyched-up. Almost all worked really well, resulting in blues-, gospel-, or folk-based tunes that showed how these themes have influenced modern music. They were exciting. There were multi-part harmonies. There were tales of sadness, and sung prayers of joy.
The middle section didn’t work for me. It got a little too free-form and discordant. I was constantly reminded of Spinal Tap’s jazz odyssey.
But most of it was really good. Vernon and Ford’s singing were highlights, as were all three brass players in Fight the Big Bull. They (mostly) found a great balance of homage and reinterpretation. And they encored with The Band’s “The Night They Drove Old Dixie Down”.
It was the sort of rare event that keeps me coming back to Vivid.
Here’s an excellent video of one of the songs – performed a few years ago – that was one of the highlights the other night; Vernon singing Mississippi Fred McDowell’s “When You Get Home Please Write Me A Few of Your Lines”. It starts as a near-acoustic cover, then morphs into a jazz-rock groove.